Saturday, February 11, 2012

Review: The Grey

Genre: Thriller
Director: Joe Carnahan
Cast: Liam Neeson, Frank Grillo

"Live or Die This Day", this is a choice Ottway (Liam Neeson) struggles with every day. Writing a letter to his wife, Ottway cannot describe his feelings, often scribbling out his words. His job consists of protecting men on an oil drilling team from wolves. Ottway notes that most of these men are fugitives who could not adjust to the civilized world and are banished to the wilderness. Ottway goes outside to commit suicide but after hearing the howl of a wolf, he chooses to live. Flying home during a blizzard, his plane crashes; the survivors are faced with the task of choosing to "Live or Die This Day" while being stalked by wolves in the middle of their den, a place no man belongs.

The wolves act as an agent of nature; driving the survivors further into the wilderness, which claims as many lives as the wolves. The wolves attack the group at their weakest moments, when they act as individuals. Diaz (Frank Grillo) questions Ottway's leadership; he tries to put up a brave front like he's not afraid, though Ottway admits he's scared. Not long afterwards an omega wolf attacks Diaz, trying to prove himself to the alpha male. This exemplifies the best part about The Grey; the parallels between the survivors and the wolves. There is a philosophical (or spiritual) nature that runs throughout. The Grey is not about the wolves killing people as much as it is about holding onto a reason to live. While one man has religious faith, another lives to see his daughter again.

Joe Carnahan's minimalist approach is well executed. The wolves are almost never seen; they attack with the cover of snow or night. The camera never stays on the blood or gore too long nor does it ever feel gratuitous. The score and cinematography creates and builds up a sense of dread without resorting to the startle effect, placing the audience in the shoes of the protagonist. The movie has a beautiful but bleak quality to it. Even with all these great decisions, Carnahan's best one was casting Liam Neeson. Neeson gives one of his most personal and raw performances; his grieving and longing for his wife in the film comes from a place still tender in his own life.

The Grey is moving, soulful portrait on the meaning of living and dying. It's refreshing to come across a movie with such richness; a multi-layered movie with well fleshed-out characters and beautiful imagery, it's the perfect movie. The Grey is a masterpiece.
Score: 9/10

Tuesday, February 7, 2012

Top 5 Oscar Snubs

Can you feel it? That's right; Hollywood's most popular popularity contest comes to an end with the 84th Academy Awards but anyone who watches the show knows the fun ends well before the ceremony begins. Year after year, the Academy gets it wrong because of three reasons:
  1. No one wins for their best work, making it more of a career achievement award, (Al Pacino did not win for The Godfather and Martin Scorsese did not win for Taxi Driver or Raging Bull).
  2. No one is allowed to have more than two even if they deserve more (Denzel Washington should be 4 for 4 and Meryl Streep has 17 nods to only 2 wins)
  3. Some people are not nominated at all (No Best Director nod for Christopher Nolan).
After seeing Transformers: Dark of the Moon on the list of nominations, I became outraged! I was so incensed that three weeks afterwards (and thousands of other snubee list later), I've come to my senses to do my own snubee list. So, without further ado, I give you my top 5 snubs.

5) No Uggie
The Artist is a fantastic film and deserves everything it will get but Uggie gets nothing. Uggie's performance should not be taken lightly: What, he cannot get nominated because he gets paid in sausages, and he cannot clean up after himself? Can he at least come through the front door and not the doggy door? What, there's no doggy door!!! He's not invited!!!? Oh, hecks no!!! Come on readers, we cannot stand for this. Let's form a flash mob, let's occupy the Oscars, we will not take this lying down! Let's begin a chant, Uggie will not be denied! Ug-gie! Ug-gie! Ug-gie!

4) Patton Oswalt
I'm not talking about being snubbed for Young Adult; I mean he got snubbed as host. I know, I know, after the tame (i.e. dead) styling's of Anne Hathaway and Professor Franco, the Oscars needed some edge and got hot, young comedian Billy Crystal to host. I know in their rush to book Billy Crystal, they overlooked Patton Oswalt because his schedule is packed. His tweets about being snubbed should have been enough to warrant a call (I will be heading over to the snubee party to see Ryan Gosling do a keg stand).

3) Shame
Every year someone delivers a "Give that person an Oscar right now!" performance. This year, that man is Michael Fassbender. It was a sight to behold...then he put his pants back on. Also, Carey Mulligan delivered an amazing performance that is more demanding than her previous nominated role in An Education. Both deserved to be recognized (a prime example of reason #3).

2) Ryan Gosling
Ryan Gosling destroyed it in 2011 and delivered not one but two great performances (three in the last year if you count Blue Valentine). I saw Half-Nelson (his only nomination), and his development as an actor has been extraordinary. It's hard for me to understand why his work in Drive went unnoticed (or his lead role in The Ides of March). Look, I don't have a man crush or anything but...ok, now I sound like I have a man crush. I think I should stop talking now so, yeah, Ryan Gosling...

1) Drive
The mother of all snubs, even more so than Uggie (yes, I know you all are stunned). For one, Drive is the coolest movie to come out this year. Second, it is the coolest movie to come out this year. Drive could not get a nod for anything and yet Extremely Loud and Incredibly Close and some movie about a horse can (someone needs their head stomped in over this one)? Drive had everything the Oscars could want; it's artsy, has great acting, is beautifully shot, and it has Albert Brooks, but it also has Ryan Gosling and the only thing the Oscars hate more than dogs is Ryan Gosling (I've said his name way too much).